Omnipotismus doesn't have any teachers. Omnipotismus was created from the currents of the freelance auto-didactic and was shaped exactly by the freedom from educationally dogmatism.
The avant-garde of this new present artistic trend, the Studio Community Steel & Color, shaped this art concept at beginning of the third millennium.
The artist community, that consists of the two autodidacts Sylvia Aevermann and Henning Block, uses this name of the new present artistic trend for their whole works of the art, that were created of them, since the foundation of the studio community.
Especially inventive ingenuity occurs frequently together with nonconformity. Genius as innate talent is as prerequisite and reason for every real art remark, in contrast to the abilities of the talent, acquired with diligence.
However, one considers, that the biggest achievements and inventions in the research and science were not made in the pre-determined time window, but in that 10-percent space, that the researchers granted.
For the creativity, above all such intellectual abilities are crucial, that founded on divergent thinking, i.e. the thinking into different directions, without force.
The conventional established concept modern art uses for the entire area of the forming arts of the 20. Century, specifically for appearances of the present art, however, more correctly usually spoken from avant-garde art here. Prerequisite for the entire modern art, is the break in the tradition of the 19. Century. The reflection over forms of the art and fundamental positions replaces largely the formation. The observer is included into the concept strategy of the artistic connections over the intellect as well.
Since the conventional name: Modern art however only comprises concurring art style directions, now is at the beginning of a new Age, the time for a new art current ripe! The action history of the artwork begins with the reception of a work through the contemporaries, their interpretation and appraisal. However, what, if the pre-determined parameters as well as for the observer, as also for the artwork are insufficient?
On which tracks does the present art wander?
Welcome
in the 21. Century! Welcome in the 3. millennium! Welcome in the Omnipotismus!